7 Dressing Tips For Women Over 50 – Dress With Ageless Style

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Stunning colours, rich brocades and lustrous silks made the best of traditional and new designs. India is a rising star in the fashion world. Equally others will make her feel like a hot chick fully up to date with trends in the western world.

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Just enjoy looking at the mixture of regional variations and modern interpretations that creates clothes than many westerners with their love of leggings, bare midriffs, border prints, bold brights and embellishment might adapt to their style with ease. More prestigious clothes, lihin-lihin , were added for public appearances and especially on formal occasions — blouses and tunics , loose smocks with sleeves, capes, or ankle-length robes.

When the Spaniards came and settled in the country, the fashion changed drastically as the Spanish culture influenced the succeeding centuries of Philippine history.

The Spanish dissolved the kingdoms and united the country, resulting in a mixture of cultures from different ethnic groups and Spanish culture.

Throughout the 16th century up to the 18th century, women wore a Hispanicized version of the Baro't saya , composed of a bodice — called a camisa , often made in pineapple fiber or muslin — and a floor length skirt, while the men wore the Barong Tagalog , a collared and buttoned lace shirt or a suit.

By the 19th century, due to the continuing influence of the Western culture, the rising economy, globalization, and exposure from the European fashion scene, the women's clothing began to have a change; by s, women's clothing was now full wide skirts that usually have long train rather than the simple floor length skirts, a bodice called camisa which means blouse in English and a panuelo , a big square cloth folded triangularly and worn in the Philippines like a great ruffle or collar.

The attire is composed of four pieces, namely the camisa, the saya, the pañuelo a scarf, also spelled panuelo and the tapis. The camisa is a collarless chemise whose hem is at the waist, and is made from flimsy, translucent fabrics such as pineapple fiber and jusi. The sleeves of the camisa are similar to the so-called "angel wings", or shaped like bells that have cuffs.

The pañuelo is a stiff covering for the neck, which acts as an accent piece because of embellishments added to it. The purpose of the pañuelo is related to modesty, used to cover the low-necked camisa'. The saya is a skirt shaped like a bubble with a length that begins from the waist reaching the floor.

These are usually comprised either of single or double sheets, called "panels" or dos panos lit. The tapis is a knee-length over-skirt that hugs the hips.

Tapis designs may be plain, and is usually made of opaque fabrics such as muslin and the madras cloth, and also is used for the purposes of modesty as it keeps the lower torso from showing due to the thinness of the saya. Also, when going to the church or attending mass, the women usually wore a veil above their heads, similar to other Catholic countries at that time.

The men also continued to wear but a more intricate version Barong Tagalog , a collarless shirt originated from the ethnic cloth called canga. Throughout the centuries the Barong Tagalog has evolved. Buttons and collars were added, as well as intricate designs on its pina fabric and laces. Underneath the transparent Barong Tagalog is the Camisa de Chino a type of shirt, usually in white that said to have been originated from the Chinese.

The women wore this kind of fashion even when the Spanish Regime was finally overthrown and was replaced by the First Philippine Republic. Today, this type of clothing is now called as the " Maria Clara " dress, named after the character of Maria Clara from Dr.

Jose Rizal's novel Noli Me Tangere who became a symbol of the traditional Filipino woman, known as modest, elegant and conservative. When the Americans came and became the second country to colonize the islands, the fashion remained the same for the first five years of the 20th century. But it has started to change and became more modern in contrast to the conservative style of the previous centuries as the Americans started to influence the modern Filipino culture.

The women then wore the Traje de Mestiza , the more modern version of the Maria Clara. It had bigger sleeves and a narrower floor length skirt with a long train called saya de cola and replaced the full wide skirt reflecting the Edwardian Fashion of the West. By the s, the style of the skirt still remained, influenced by the flapper dress; however, the wide sleeves had been replaced by butterfly sleeves popularized by local couturier Pacita Longos , and the big pañuelo reduced its size.

Such trends had gained prominence especially during the annual Manila Carnivals of s and through the s. Some Filipino women who had lived in United States and in Europe wore the western 's fashion with loose dresses and knee length skirt. Men wore the Americana , the suit and coat worn in the West, mostly Americans hence the name , replacing the traditional Barong Tagalog. By the s, young adult women and children finally abandoned the typical "Traje de Mestiza" as everyday wear and started to wear floral printed dresses with mid-calf length shirts.

Though many women embraced the western ideals, the typical "Traje de Mestiza" was not fully gone. The elders and middle aged women still wore the traditional dress while the young adults considered it only as a formal dress for events such as carnivals, galas, etc.

In s, the Philippines was famous for its beauty pageants and carnivals that drew tourists from around the world, and resulted in influencing the fashion and beauty standards of the Filipino women. The women wore more elaborate and intricate dresses. The "Traje de Mestiza" was still popular to the people through the s.

Men's fashion remained the same as they continued to wear the "Americana" suit. When s came, the Philippines saw the breaking out of World War II resulting in the shortage of tailoring shops, clothing boutiques and dressmaking factories as the country was occupied by the Japanese Empire. The austerity era started when rations were implemented and the women wore simpler clothing. The terno gradually disappeared and stopped being manufactured.

Only the older people wore their old terno dresses. Clothing boutiques only sold monochromatic dresses, mostly in dark tones. The shirtwaist dresses of the previous decade also became popular in the s with a simpler look. The men's fashion still remained unchanged but became a more casual as started abandoning the coat as a casual wear, and wore it only for formal wear. During the mids, the clothing boutiques, tailoring shops, and dressmakers stopped operation as the final chapter of the World War II occurred in the Philippines.

After the war, most of the people either lost their clothes or could not find new clothes. In , the country began its reparation and Manila's restoration. However, the lack of dressmakers made the fashion of the s and early s remain popular for the rest of the decade.

When the decade started, the country saw the rise of economy, once again giving opportunities for people to have more necessities and live in the normal life. Women remained wearing the s fashion during the first five years of the decade. By the late s, women started to wear dresses and with floral prints and fuller knee-length skirts.

The style was inspired by Christian Dior's "New Look" collection, [5] characterized by a below-mid-calf length, full-skirt, pointed bust, small waist, and rounded shoulder line. Summer and Day dresses became popular, as well as the pencil skirts and cardigans. Men's fashion changed slightly as the men started wearing youthful clothing such as sweaters, colorful printed polos, pants and flannels.

The drape cut suits remained popular for formal wear. The Barong Tagalog became popular once again to be worn as a formal wear, popularized by the then-President Ramon Magsaysay. The Terno was rarely worn by young women everyday; however, it was still worn at formal events such as galas, national events, government parties and film festivals.

When the s entered, most of the styles from the late s still remained; however, due to the rise of British pop culture that spread in United States and other parts of the world, fashion started to change.

A new kind of dress invented by Mary Quant , called the miniskirt , mini dresses started to become popular and mod style fashions also emerged. Hair became very stylish as the hair were styled bigger and higher with the use of hairspray. By the mids, the hemlines rose and the clothes loosened, influenced by the mod culture.

Men's fashion shifted towards a more youthful vibe, influenced by the rising Teenage culture seen in Hollywood and by various Teen-oriented Filipino films where they started wearing polos and pants, replacing the suit and coats. Suits and coats, as well as the Barong Tagalog, were now only worn during events and by the older men.

With the popularity of the hippie culture in the late s, many Filipinos embraced this culture which has continued until the early seventies. At the same time, the rise of Filipino Nationalism began and both movements influenced the way people lived and dressed.

The early s saw women start to abandon mini-dresses for a more modest clothing such as maxi skirts. Vintage clothing from the Victorian Era of the west also became popular as long sleeves, laces, and collars became popular in dresses. Bell bottom pants started to become popular that would continue to the rest of the decade. Men also started to grow their hair long, the first time ever that such style became acceptable in Filipino society. Men also wore Bell bottoms often in bright colors, similar to the women.

The turtle neck became popular as well as sweater vests, colorful bright patterned polos and pants.

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